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# Monday, June 28, 2010

Miranda Lambert is spending her fourth week at No. 1 on the Billboard country song chart with "The House That Built Me," while Lady Antebellum's Need You Now luxuriates in its 21st week as the top-selling country album.

Selfish? Exhibiting a disinclination to share? You make the call.

Now That's What I Call the USA: The Patriotic Country Collection -- a various artists package -- is the week's highest-charting debut album, checking in at No. 12.

The only other new album also has a flag-waving tint. It's Ray Stevens' We the People at No. 58.

Re-entering the album chart are Jason Boland & the Stragglers' High in the Rockies: A Live Album (No. 71), Colt Ford's Live From the Suwannee River Jam (No. 73) and Alan Jackson's Songs of Love and Heartache (No. 75).

The Randy Rogers Band's "Too Late for Goodbye," arriving at No. 55, is the highest-debuting of four new songs. The others are Bomshel's "Just Fine" (No. 56), Steel Magnolia's "Just by Being You (Halo and Wings)" (No. 57) and George Strait's "The Breath You Take" (No. 58).

Rounding out the week's Top 5 albums are the Zac Brown Band's The Foundation, Dierks Bentley's Up on the Ridge, Lambert's Revolution and Carrie Underwood's Play On, in that order.

The No. 2 through No. 5 songs are Jason Aldean's "Crazy Town," Brad Paisley's "Water," Luke Bryan's "Rain Is a Good Thing" and Clay Walker's "She Won't Be Lonely Long."

Monday, June 28, 2010 8:19:14 AM (Pacific Daylight Time, UTC-07:00)  #    Comments [0] -
Entertainment News

# Friday, June 18, 2010
With the dress rehearsal now completed, the clock is ticking down to the opening of the 2010 CMT Music Awards. Kid Rock hosts the show that airs live Wednesday (June 9) at 8 p.m. ET/PT from the Bridgestone Arena in downtown Nashville.

The night will be highlighted by performances from Toby Keith, Lady Antebellum, Miranda Lambert, Tim McGraw, Brad Paisley, Carrie Underwood and the Zac Brown Band. Keith Urban and John Mayer, who will be featured together on an upcoming episode of CMT Crossroads, will perform "Hit the Ground Runnin'," a track from Urban's Defying Gravity album.

Laura Bell Bundy, Sheryl Crow, Gloriana, Faith Hill, Martina McBride, Kellie Pickler, Blake Shelton, Taylor Swift, Trisha Yearwood and the Zac Brown Band will be presenting awards.

As always, the CMT Music Awards will also feature a wide array of non-country celebrities as presenters. This year's list includes TV personality Paula Deen, American Idol judge Kara Dioguardi, NFL great Terrell Owens, actress Hayden Panettiere, NASCAR legend Richard Petty, actress Jada Pinkett-Smith, comic-actor David Spade and Saturday Night Live's Kenan Thompson. Also presenting awards are Nicole "Snooki" Polizzi and Mike "The Situation" Sorrentino from MTV's Jersey Shore and Dancing With the Stars finalists Erin Andrews and Maksim Chmerkovskiy.

During the awards show, Bundy, Easton Corbin, Justin Moore, Steel Magnolia, Trailer Choir and Chris Young are set to perform from the Nationwide Insurance stage. Leading up to the main show, CMT Music Awards Red Carpet 2010 will feature all the excitement of the red carpet arrivals. Hosted by The Singing Bee's Melissa Peterman and CMT's Evan Farmer, the red carpet festivities begin at 7 p.m. ET/PT.

Friday, June 18, 2010 3:59:28 PM (Pacific Daylight Time, UTC-07:00)  #    Comments [0] -
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Kenny Chesney has completed work on a film documentary, The Boys of Fall, dealing with the power and passion of high school football. To create the project, Chesney drew upon his friendships with NFL greats Peyton Manning, Brett Favre, Troy Aikman and John Madden and several NFL, college and high school coaches. "I have the ability to have some pretty amazing conversations with some pretty big coaches ... some pretty amazing players," he said. Chesney, who was wide receiver for the Gibbs High School football team in Corryton, Tenn., has been working on the documentary for approximately a year. "Everyone I approached, when they understood we were looking for the soul of the game as it's played in high school, not only were they willing to talk to us, they'd pick up the phone and send us to people they thought we needed to talk to."

Friday, June 18, 2010 3:50:20 PM (Pacific Daylight Time, UTC-07:00)  #    Comments [0] -
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It wasn't exactly a mystery worthy of Agatha Christie. When cryptic online ads for an Irving Plaza show featuring Incognito Bandito began appearing about a week ahead of time -- alongside Toby Keith's photo and statements like "the best $25 you'll ever spend" -- there wasn't much detective work required to deduce that the venerable, 1,000-capacity New York City club would be hosting a low-profile concert featuring the country star.

Even so, on the eve of the performance, fans who shelled out for tickets in good faith still couldn't be 100 percent sure they'd see their hero onstage once they got inside.

After a series of hopeful chants of "To-by!" all uncertainties were allayed when Keith finally took the stage. Bearing a battered acoustic guitar and his trademark trucker-on-a-lunch-break look with faded jeans and ball cap, he was flanked by a six-piece band of two guitars, bass, drums, keyboards and a jack-of-all-trades on saxophone, harmonica and pedal steel.

They tore into a tough, tight version of Johnny Paycheck's bluesy 1976 hit "11 Months and 29 Days," followed by Roger Miller's good-time "Chug-a-Lug," before Keith paused to tell the enthusiastic but still slightly bemused audience, "This ain't about Toby Keith shit. This is about some of the greatest session players in the world."

He went on to explain that the men and woman backing him have played on his albums time after time, and they decided to book a barely-publicized club date just for fun, figuring, "If they [audience members] show up, they show up. If they don't, f---- 'em!" With a full-scale, summer-long tour set to kick off Saturday (June 19) in nearby Holmdel, N.J., Keith was apparently embracing the opportunity to play whatever tickled his fancy before spending the next three months plowing through his hefty catalog of hits.

After a faithful take on Waylon Jennings' "High Time (You Quit Your Lowdown Ways)," Keith went on to play the only two original tunes of the evening, but even these turned out to be deep cuts. "If You're Tryin', You Ain't" and "Missing Me Some You," from last year's American Ride and 2008's That Don't Make Me a Bad Guy albums, respectively, were never even singles, let alone radio hits. Afterwards, Keith revealed the band had only one rehearsal for the show, adding admiringly "That's how good these f---ers are."

From there on, it was a wild, unpredictable ride through nearly every branch of American music's family tree. Jack Greene's 1969 country hit "Statue of a Fool" gave way to Three Dog Night's "Shambala" before the band settled into the slow, blues-baked feel of R&B hero Johnnie Taylor's "Last Two Dollars." As they moved into the greasy two-step of Jennings' "Waymore Blues," Keith declared "Most of this roots music ain't got a lot of changes in it, you just gotta get the groove really f----ng good."

Keith and company honored another Outlaw legend by sliding into Willie Nelson's nocturnal standard "Night Life" and then geared up for some get-down on a gutbucket-funk version of "Harper Valley PTA." As they worked the crowd up into a roiling, R&B frenzy, it began to seem like a door had opened into an alternate universe where Keith was the leader of the greatest bar band in the world, and he seemed to echo the idea. "How about that for one rehearsal?" he shouted after the song's explosive ending.

The last portion of the almost two-hour show continued to jump from one end of the roots music spectrum to another, with a simmering serving of Gordon Lightfoot's "Sundown," a sleazy, slide-guitar-soaked drive through ZZ Top's "Mexican Blackbird" and detours into a hard-country standard, "Truck Driving Man," and a Bill Withers' "Ain't No Sunshine." After closing out the set with a sweat-soaked run through the Chuck Berry stomp "Memphis, Tennessee," Keith left the stage sporting a broad smile.

Brought back by a still-hardy crowd, Keith explained, "These are the songs we love and grew up playing," encouraging expectations for repeat performances by adding simply, "We're gonna do this sometimes."

Following a poignant version of Hoyt Axton's Mexican-flavored ballad "Evangelina," the band kicked into funk mode one last time for a burning "Polk Salad Annie," giving the old Tony Joe White tune every ounce of country soul it deserved. A blistering bass solo suddenly slammed things into James Brown territory until the song eventually erupted into a volcanic climax.

Come Saturday, that alternative-universe portal will snap closed -- at least for a while -- and Toby Keith will be an arena-filling superstar again. But the fortunate few on hand at Irving Plaza surely won't soon forget their glimpse into his secret sonic identity as a bar-band bandito.

Friday, June 18, 2010 3:48:30 PM (Pacific Daylight Time, UTC-07:00)  #    Comments [0] -
Entertainment News

Remember I posted that video yesterday from WorldStarHipHop.com where these lames allegedly robbed Soulja Boy for his SODMG chain. Well Soulja came back with a video in response to it. First of all he rolls up in his black Lambo, stuntin heavy. Then he shows the replica SODMG chain that "It" (VH1) and his goons purchased from Ebay that they used in their video. And just in case Soulja wasnt killing 'em enough, he whips out his Louis Vuitton briefcase and shows the SODMG chain which is way bigger and has actual onyx diamonds in it versus the Ebay replica. (((Clapping))) Well done Soulja, you showed them. Nice try, I guess "It" and his group of morons are back to the drawing board looking for a better way to gain publicity. Check out the video at the bottom.

Friday, June 18, 2010 3:44:55 PM (Pacific Daylight Time, UTC-07:00)  #    Comments [0] -
Entertainment News

Brad Paisley, the proud papa of three-year-old Huck and one-year-old Jasper, says he may soon forget what it was like not being a father. "You feel like what you've done up until now is to prepare yourself for this, and that starts to be a memory that you associate with your kids. So, I can see how eventually, I won't be able to remember who I was before, because it does change you. It's already changed me a little bit, and it'll change me more with every heart attack [they] give me!"

Rascal Flatts' Jay DeMarcus says his father told him "to be the lead singer because they got all the attention and all the women. And I wished I would've listened to my father now." The Flatts real lead singer Gary LeVox says his dad's advice was: "Never eat yellow snow." Jay adds, "Liquor before beer, never fear. Beer before liquor, never sicker. That's what my dad taught me, and I've followed that to a T." That was pretty normal advice with the way the guys grew up. "All our dads have always played honky-tonks, so we've always gotten [that] kind of guidance in our life," explains Gary.

Carrie Underwood knows her dad is proud of her, even if he doesn't tell her himself. "My dad's the kind of person that most likely he'll never look at me or my sisters and say, 'Hey! I'm proud of you,' or 'You're doing a great job,' or anything like that. But I catch him watching things that he's taped of me on TV. That means a lot. I'd meet co-workers of his that used to work with him, and they'd say, 'Your dad has pictures of you all over his desk.' Proud to the world [laughs] ... not so much to me, but proud to the world."

Martina McBride says, "The basic advice that [my father] gave me and all of us kids was just to work hard. I was raised with a really strong work ethic that if you worked hard enough you could have just as good a chance to be successful as anybody else, but it wasn't going to be handed to you. He still asks me if I'm still happy. I love that. He'll say, 'Are you still having fun? Are you happy?' And I think the message in that is do what you love and love what you do and work hard at it."

Keith Urban cites his father as the reason he made it to Nashville and is doing what he loves to do. "His record collection was what got me pointed towards Nashville," says the multi-talented musician. "He drove me to the music store to buy my first guitar. He was always extremely supportive of my music, and I have a lot to to be grateful to him for. Years later, he's still married to my mum, and he's got two sons that love him. So, I think that counts for a good job." Keith actually wrote a tribute to his father, aptly titled 'Song for Dad,' which appears on his 'Golden Road' album.

Being a father himself now, Keith says he loves everything about being a dad to Sunday Rose, who will turn two in a couple of weeks. But he and wife Nicole Kidman do want to instill some core values into their daughter as she grows up. "The biggest thing for us to instill a work ethic, that's the thing that's most problematic for me -- this unwillingness to have a work ethic. The ability to access information so quickly makes people think that their ability to achieve something is also meant to be expedited, but it doesn't work that way. It's never going to work that way, and if we're going to build something solid, it's going to be built slowly, step-by-step-by-step ... and there's nothing sweeter than having to work for something. It's a tremendous feeling."

Alan Jackson hopes his three daughters would say that he was fun and had a sense of humor. "I'm not just some serious dad, and I talk to them. If they're dating some boy, and I want to know what's going on, I'll ask them. I tell them, 'Me and your mom were dating when we were 17, and I know what's going on!'" When Alan was a boy, he says his father never really talked to him, but rather showed him by example. "My daddy never said much, and he never really gave much advice. He just kind of lived it for you, and I've always said that if my parents did anything good for us, it was unintentional, but they left you alone to make your own way but guide you in the right way ... instead of a parent that's pushing you one way or another. They allowed you to do what you wanted to do and supported you."

Dierks Bentley is very grateful to his own father for turning him on to country music as a kid. "My dad is my biggest influence in country music because my dad loved country radio," states the proud father of Evie, who's nearly two years old. "We always drove around listening to country radio -- George Strait, Hank Williams and Randy Travis and all these guys. So, without him, I wouldn't be doing this, that's for sure."

Tim McGraw says family comes before his career. "You don't balance them," he says emphatically. "If you try to balance it, you're fighting a losing battle. I mean, it really isn't a balance. You've got to put your family first and try to do everything you can that way. Whatever's left over can go to your career or whatever else. Your priority list gets a whole lot smaller when you have a family."

Blake Shelton is another who learned by example from his father. "My dad was real good just teaching me patience. He's always been a very patient guy whether it's in business or with women or whatever. He picks the right battles, and I've always admired that about him. My dad has been a rock for my family, since my beginning. He still is that rock, even though my parents aren't married anymore. He's still the person that holds the entire circle together."

Joe Nichols is preparing his nearly teenage daughter, Ashelynn, for the future by teaching her respect now. "Respect for men and respect from men -- I think that's probably going to be the most important influence I can have on her as she grows up. If I show her respect and love, she will look for that in a man later on, rather than the opposite. And that's my job to show her that a man figure in your life can be loving and trusted, and I think that's important. One day, she's going to marry a good man."

Jack Ingram feels he is a father and being a musician is what he does. "Having three kids and being involved with their life on as much of a day-to-day basis as I can be, it creates much more of an atmosphere in my life -- this music business is what I do, and my family is who I am, and that's really what it's done for me. It's created a grand divide and given me levity. This is fun, and I love doing it and it's important because it provides for my family. That's my life -- those kids and my wife, that's who I am!"

Blaine Larsen is the father of Zoe, his two-year-old daughter who is the spitting image of the young singer-songwriter. He says the best thing about being a dad is the love you receive from your child. "The best thing is when I get home and she runs over and gives me a hug and says, 'Daddy,' and she says, 'I love you, Daddy,' and she gives me a kiss -- that's the highlight right now."

Friday, June 18, 2010 3:38:27 PM (Pacific Daylight Time, UTC-07:00)  #    Comments [0] -
Entertainment News

We all know that while Drake has plenty of mentors in the rap game (such as Jay-Z and Kanye West), his most important hip-hop role model by far is Lil Wayne.

In light of Weezy’s current incarceration, Drake has been seen rocking “Free Wayne” t-shirts and constantly expressing his support for his mentor, frequent collaborator and friend. Drizzy even gave his opinion of Wayne’s arrest and imprisonment on CNN of all places:

“To him, there’s a whole world moving out there that he hasn’t seen for so long. He was just like, he told me something I never thought I’d hear him say, which was, ‘You’re the ultimate artist. You’re better than me. You don’t have the tattoos, you don’t cause any trouble. People like you.’ He was like, basically, ‘Look at me and look at you.’ He was like, ‘Man, listen. You know what I think you’re about to do? You’re about to do two million.You’re about to do two million the first week. Whatever, man, whatever you do, do not get no tattoos never in your life. They gonna think you got it because you came around me.’ He said the same thing to me [during the Rikers visit]: ‘Don’t change yourself, please. You got it. I’ve never met a young dude that has it figured out, but you got it. Don’t mess it up. Just be you. Sing! Rap! Be you. Don’t stop smiling.’ That’s what he said.” (MTV)

While Wayne spoke specifically about smiles and tattoos, I think his advice has more significance than the exterior. He’s telling Drake not to become influenced by his surroundings and circumstances to the point that he changes who he is and conforms to the norm in the game and the urban community.

This points to a greater issue in the urban community. All too often, we tend to celebrate and glorify our culture’s less than glorious features. We need to realize that even if we have had to learn to endure the worst of our culture, this merely makes that endurance a necessity, not an aspiration. Also, by branding ourselves with the image and attitude that are often associated with our worst, we diminish our self-worth and give those we meet the unfair opportunity to limit and narrow their view of who we are (not that some wouldn’t do it anyway).

Certain words from the man born Dwayne Michael Carter jump out at me. “You don’t cause trouble. People like you.” Those words are in direct conflict with the gangsta image so popular within the culture of hip-hop and that so many attempt to emulate in their daily lives.

What Drake has ‘figured out,’ and what more of us need to learn, is that who he is is quite good enough. It appears Wayne has had a lot of time to think and possibly reconsider his lifestyle while locked up, and almost sounds somewhat regretful of some of his decisions. Because he’s so influential, it will be important to see if he makes corresponding changes upon his release.

Until then, he will certainly remain in the thoughts and prayers of fans worldwide.

Friday, June 18, 2010 3:33:38 PM (Pacific Daylight Time, UTC-07:00)  #    Comments [0] -
Entertainment News

Some guys are built for stardom. Knowing such can give them a swagger that radiates throughout everything they do.

Take Aubrey Drake Graham.

Now 23, the clean-cut Canadian-born actor and rapper known as Drake was a sensation on television's teen hit Degrassi: The Next Generation as soon as he hit the small screen in 2001.

By 2006, when Drake took on the mix-tape circuit, he was a smash with his monotone flow and a vocal style touched by old-school soul.

By the time he got to his third mix in 2009, its title song - the syrupy "Best I Ever Had," based on a corny Hamilton, Joe Frank & Reynolds sample - got him nominated for Grammys, put him atop Billboard's charts and placed him in bidding wars with every major label.

No wonder Drake sounded cocky during Wednesday's sold-out show at the Theatre of Living Arts - the day after his long-anticipated debut full-length, Thank Me Later. Everything he touches turns to gold.

On stage, Drake looked older than his years as he swiveled his neck and stared into the crowd. He teased his audience, mostly longtime fans who knew every song from each of his old tapes, beginning with "9 AM in Dallas." His nasal singsong rap was weirdly warm and inviting.

With a blues organ's swirl behind him, Drake's chatty croon made the robotic AutoTune of "Uptown" sound human. When he got to the dreamy slow jam "Lust for Life," with its spare thumping drums and blipping sequencers, Drake became a postmodern Barry White with that cool lover-man chatter. Then "Fireworks" from his new album began with a crackle, and Drake's voice got sharper and more energetically corrosive, even though the arrangements were sweet.

Drake was truly cocksure now. Joined by his self-proclaimed mentor/MC Birdman on "Money to Blow," he seemed empowered to an Incredible Hulk-like degree - a heft that carried him through the hard-edged "I'm Goin' In" and the slippery "Best I Ever Had."

In the unlikely event you weren't a Drake believer before, you were by the time you left the TLA.

Friday, June 18, 2010 3:30:13 PM (Pacific Daylight Time, UTC-07:00)  #    Comments [0] -
Entertainment News

# Monday, March 15, 2010
50 Cent is back in music mode. He's been touring overseas with the G-Unit for about a month, and over the weekend, 50 revealed to a Norwegian news outlet that he had been back in the lab making songs for a new LP called Black Magic. Fif said he was inspired by listening to music in Bergen, Norway.
"I went to a nightclub afterparty," 50 told reporter Jonas Pettersen. "It's a little different music going on before I got there. They play your music when you come. But the music they played before they started playing a lot of what I created was more uptempo, more dance. I wanted to make a song like that. So I went into the studio. Because I'm traveling with my live band, I took my band with me and sequenced it and recorded the actual record while I was out there. I did two other songs I had production for. I had been writing those songs for a while. So I finished them and recorded them while I was out."
Fif said his new album will not sound like his previous work. "New Black Magic project, I'm excited about it," he said. "It has a totally different vibe. I won't allow myself to be placed in a box when I can only do one style or one kind of music. They should expect the unexpected on this project. It's good. If they can understand how I enjoy different genres of music and different styles; for the people who have various tastes in music, they'll really like it."
While there isn't a release date for Fif's new work, G-Unit members Lloyd Banks and Tony Yayo say they'll drop independently as early as June.
"I'm aiming towards summer," Banks recently told Mixtape Daily. "Mid-summer, late summer. I won't drop an album until I feel the buzz — you know, as an artist, when you feel it. I'm working independent. Everything they've heard the past year has come out my basement, including 'Beamer, Benz or Bentley.' When you first come on as a new artist and you hot and you got a buzz, you could sell doo-doo on a stick. The label makes you feel like they did it, when they just called their boy and dropped the record off.
"Now it boost my confidence when I know I can make a record in my crib, send it out and receive finances from it," he added. "Whenever it's through iTunes or whatever other outlet you have, I'm happy with it. I'm not gonna rush it, though. If it came out after this year, it wouldn't matter to me, as long as it's the product people expect."
"We gonna drop it independently," Yayo told Mixtape Daily. "We not on Interscope anymore. I feel the stuff I went through on a major was nonsense. You make more money on an independent label."
Monday, March 15, 2010 7:22:57 PM (Pacific Daylight Time, UTC-07:00)  #    Comments [0] -
Entertainment News

Nicki Minaj is hip-hop's leading lady at the moment and the Young Money rapper proved she's adept at handling that spotlight during her turn as co-host of BET's "Rip the Runway."
The femcee was joined by "The Game" actor Pooch Hall, and delivered her trademark sass both in rhyme and in jokes.
"Pooch, you haven't even complimented me on my shoes yet," Nicki said during the opening minutes, teasing the actor as the pair introduced the show, set to air Monday (March 15) on BET and Centric.
The Queens lyricist doubled as a performer also, joining Ludacris onstage for his hit "My Chick Bad."
"My chick bad, tell me if you seen her," Luda rapped. "She always bring the racket like Venus and Serena." Minaj stormed onstage for the third verse, much to the delight of her fans — there were plenty of Barbiez onboard — in a snakeskin bodysuit and pink wig.
"Trash talk to them then I put them in a Hefty," she rhymed. "Running down the court, I'm dunking on them Lisa Leslie."
Along with the "Rip the Runway" performances, new designers' spring and summer lines were presented and showcased throughout the broadcast.
BET's "106 & Park" co-host Rocsi Diaz, Sean John model Miguel Perdomo and artist Amanda Diva were among those strutting down the catwalk.
Upstart MC B.o.B. a.k.a. Bobby Ray performed his first single, "Nothin' on You," as the Tennille White Chicago line was showcased.
Trina was partnered with Haute Couture during her performance and newcomer Roscoe Dash and Soulja Boy Tell'em had the rowdiest performance of the night, hands down, with "All the Way Turnt Up." The song was paired with sporty clothing line Protégé and featured a model in high heels frantically dribbling a basketball to the beat.
A solo turn by Minaj and performances by Janelle Monáe and Estelle featuring Kardinal Offishall ("Freak") rounded out the festivities.
Monday, March 15, 2010 7:16:11 PM (Pacific Daylight Time, UTC-07:00)  #    Comments [0] -
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